This is the second of five posts on colour-mixing. It continues the process of preparing for three more practical chapters that follow. It role is to confront a number of commonly held misunderstandings relating to the ‘colour circle’.
Following the image of a student getting ready to mix a colour, there is a slightly edited version of the Introductory to the chapter and a link to it the whole text.
At my painting school, I give talks on colour-mixing. The chapter which I am publishing in this Post as well as the next three chapters (all of which I will publish in the near future) are based on these. Between them they both flesh out some of the claims made in the previous chapter and provide a sound and practical approach to colour-mixing. My purpose is to provide help with:
- Finding a maximum of colours in any part of the colour sphere (as described in the last chapter).
- Creating a sense of light, space and harmony in paintings.
The first of my talks concerns colour-mixing by stirring (as opposed to colour mixing by layering, which I will deal with later). Experience has shown that for many people coming to my Painting School for the first time, it is necessary to start my explanations at the most basic levels. Accordingly, I introduce my talk by apologising in advance for going over ground that may already be familiar to some, but suggest that it is better to be absolutely sure of building on common and solid foundations. Also, my decision to repeat the structure of my Painting School lesson means that some of the material that appeared in the previous chapter, is presented again in this chapter, although in slightly different ways.
Other Chapters from “Painting with Light and Colour”
- Introduction: the little known Science behind many of the original practical suggestions.
- Chapter 1 : The dogmas
- Chapter 2 : Doubts
- Chapter 3 : The nature of painting
- Chapter 4: Renaissance ideas
- Chapter 5 : New Science on offer
- Chapter 6 : Early Modernist Painters
- Chapter 7 : The perception of surface
- Chapter 8 : Seurat and Painting with Light
- Chapter 9 : Seeing Light
- Chapter 10 : Illusory pictorial space and light
- Chapter 11 : Colour mixing – definitions and misconceptions
- Chapter 12 – Refining the colour circle
Other Posts on colour and light in painting:
- What are colourists? (1): Some of the many meanings of the word
- What are colourists? (2): Difference between meaning of the word for Venetian Colourists and for Modernist Colourists?
- What does the word “colour” mean?