The purpose of this Post is to provide a link to “Surface and Colour”, Chapter 24 of my book “Painting with Light and Colour”. It continues the emphasis of the previous three chapters of discussing practical uses of viewing conditions as a means of extending the range of the experiences available when looking at arrangements of colours painted on flat surfaces. As a means of doing so, it gives a detailed account of how the viewing conditions discussed both inspired and were put to use in the making of one particular nine panel painting. As in all my paintings, a priority was to create an illusory pictorial space, of indeterminate depth, within which the colours are liberated from the picture surface with a view to allowing them to interact more dynamically and in additional ways.
Other Chapters from BOOK 2 of “Painting with Colour and Light”
- Chapter 19 – Colour and the feelings
- Chapter 20 – Optical mixing and its legacy
- Chapter 21 – Colour contrast effects
- Chapter 22 – Thin Lines
- Chapter 23 – More on viewing-conditions
Chapters from BOOK 1 of “Painting with Colour and Light”
- Introduction: the little known Science behind the many innovative practical suggestions.
- Chapter 1 : The dogmas
- Chapter 2 : Doubts
- Chapter 3 : The nature of painting
- Chapter 4: Renaissance ideas
- Chapter 5 : New Science on offer
- Chapter 6 : Early Modernist Painters
- Chapter 7 : The perception of surface
- Chapter 8 : Seurat and Painting with Light
- Chapter 9 : Seeing Light
- Chapter 10 : Illusory pictorial space and light
- Chapter 11 : Colour mixing – definitions and misconceptions
- Chapter 12: The colour circle: Misunderstandings
- Chapter 13 : Finding a maximum of colours
- Chapter 14 – Colour mixing made easy
- Chapter 15 – Colour mixing by layering
- Chapter 16 – Reviewing previous chapters (1)
- Chapter 17 – Reviewing previous chapters (2)
- Chapter 18 – “All you need to know about painting”-2
Other Posts on colour and light in painting:
- What are colourists? (1): Some of the many meanings of the word
- What are colourists? (2): Difference between meaning of the word for Venetian Colourists and for Modernist Colourists?
- What does the word “colour” mean?